Making Local Adjustments using Control Points Selective Adjustments settings offer the option of making some important local modifications in your images to target specific areas of an image. Hal will explain the important concepts of Control Point and U-Point which are used to make changes like contrast and structure of a specific area of an image. You will be taught to add and delete a Control Point, duplicate Control Point, group multiple Control Points together to make changes simultaneously, ungroup Control Points for individual changes, define the affected area and get the Mask view for making any changes to that area. With the help of two sample images, you will see how to modify local perimeters like Brightness, Contrast, Structure, Amplify Whites, Amplify Blacks, Fine Structure and Selective Colorization. In this Silver Efex Pro 2 tutorial, you will learn to modify specific areas of an image using the Control Points under the Selective Adjustments tab and its options which include adjustments in the Brightness, Contrast, Structure, Amplify Whites, Amplify Blacks, Fine Structure and Selective Colorization.
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Learn to master the art creating and processing black and white images and discover the stunning beauty of black and white photography with NIK Software’s Silver Efex Pro 2 application where our seasoned trainer Hal Schmitt will take you through all of the fine details to enable you to unleash your black and white creativity. Create spectacular black and white version of your images and enhance them with the assortment of handy tools available to fine tune the images and enhance their tonality. With individual comprehensive tutorials dedicated to each tool and the demonstration of the recommended workflow coupled with advanced examples, you will be able to produce professional quality black and white images on your own.
In this Nik Software tutorial, you will learn how to create high quality black and white pictures from color shoots taken with your DSLR, all with newest version of Nik's Silver FX Pro 2.
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