Working with MIDI Data in Mainstage
Working with MIDI messages is an essential skill that you must have in order to work successfully in Apple Mainstage. John will teach you to work with MIDI messages and perform several important functions. You will see how to Filter and Transform a MIDI message like Breath into another one like Modulation, Block MIDI data from getting into Mainstage using the MIDI thru option in the Screen Inspector Control, remap MIDI Notes and scale MIDI Velocity,
In this Mainstage tutorial, you learn to work with MIDI data allowing you to filter, transform, block and remap incoming MIDI messages.
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In this extensive series of Mainstage tutorials, Apple Mentor Trainer John Moores will show you how to make the best use of Apple's live-oriented innovative software.
All the core knowledge every performing musician, be a keyboard player, a guitarist, a DJ or a sound engineer will be explained to the smallest details. You will learn about Layout, Edit and Performance programming levels, and how to manage audio, software instruments, third party plug-ins and mix them together. This complete video training will also teach you about the best use of Concert, Set and Patch levels of programming. You will also learn about MIDI controls assignments, complex remappings, and how to include external gear in you live setup. CPU usage is a crucial bit, and John will teach you how to get the most of your computer with safety in mind. This tutorial will also cover two features exclusive to Apple Mainstage 2, Playback and Looper, will be explained and how to use Logic Pro and Mainstage 2 together to create stems taking advantage of markers and flex time.
In this tutorial, you will learn how to make the best use of Apple's acclaimed live oriented software Mainstage. You will learn all the core techniques to take the long-polished sound you created in the studio right to the stage. You'll be guided by internationally renowned trainer and music production specialist John Moores, Apple Mentor Trainer Logic Pro EMEIA.
Being familiar with digital audio production terminology is a plus, and you must obviously have a recent Macintosh computer with Mainstage 2.2 installed.